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VIDEO ARCHIVE

RMP CHALLENGE SPEED POWERPOINT NIGHT 2025 !!!! ! !! ! !!!!!!

LAWNYA VAWNYA: PAST LIVE STREAMS

Lawnya Vawnya 13: How We Take Care: Accesibility and Mental Health in the Arts

Lawnya Vawnya 13: How We Take Care: Accesibility and Mental Health in the Arts

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RMP CHALLENGE VIRTUAL WORKSHOPS 2021 - 2024

Workshop: Sound Design in Ableton Live with Tatum Wilson
01:14:20

Workshop: Sound Design in Ableton Live with Tatum Wilson

Covering essential creative techniques and tools with Ableton Live, this workshop will examine different ways in which you can deepen, transform, and polish your songs using sound design. Introducing how different applications of effects, sampling and audio editing can become a part of your creative process, join to see how Live’s built-in functionality can be used to add detail to compositions and give an edge to a mix. For producers and musicians of all genres — explore the many ways in which a DAW can be your instrument! A free online workshop presented by Lawnya Vawnya and Unpossible NL. BIO Tatum Wilson is a producer, composer and audio engineer working in Montreal, Canada. His work examines how the interplay of sound, perception and technology can elicit moments of collective memory, immersion, and healing. As ‘operaa’ he creates a delicate blend of ambient and experimental music, with production that melds nuanced textures, abstract melodies and deep, enveloping bass. Currently, he is participating in an artist residency at the Société des arts technologiques (2023-2024) and works as a team member of World Creation Studio. His debut EP ‘Falling To The Point Of Floating’ was released by Barcelona-based label xenonyms in 2021, and he frequently works and collaborates on projects spanning film, music and digital art. He holds a BFA in Electroacoustic Studies from Concordia University (2018). https://worldcreation.studio/artist/operaa/
Workshop: A Crash Course in Recording with Clare Follett
01:37:12

Workshop: A Crash Course in Recording with Clare Follett

Dive into the world of recording with multi-award-winning musician, producer and recording engineer Clare Follett. This in-person workshop is designed to prepare you for the upcoming RPM Challenge, and is aimed at musicians or enthusiasts to give them practical advice on how to make their recordings as good as they can be. Workshop presented by Lawnya Vawnya and the Unpossible NL. Recorded at Record Time Productions in St. John's, Newfoundland and Labrador, Canada. https://www.recordtimepro.com/ BIO: At 22, Clare Follett is already a seasoned veteran on the East Coast music scene. You may have seen her perform with the likes of Nick Earle and the Reckless Hearts, the Janet Cull band and countless others, or as a solo artist performing her original music. She debuted her self-produced solo album ‘Neck Deep’ at age 15, followed by her sophomore self-produced ‘Reclamation’ at 18. Clare has also worked as a producer and/or recording engineer on projects for Rosemary Lawton, Kelly McMichael, Quote the Raven, Kelsey Arsenault, Kellie Loder, Jenny Mallard, and many more. Over the course of her solo career, she has received nine MusicNL nominations, three MusicNL awards, and four Newfoundland and Labrador Arts & Letters awards for her songwriting. She was also selected as an ECMA Break Out Artist in 2018. She is currently in her final semester of Memorial University of Newfoundland and Labrador’s conjoint Bachelor of Music and Bachelor of Business Administration program, working as an audio engineer and producer out of Bond Street Studios, and signed to Scilly Cove Records, working on a solo album alongside Grammy award-winning producer, Greg Wells. https://clarefollettmusic.com/ The RPM Challenge would be impossible without the generosity of our awesome donors, funders, and community partners. Thank you to our 2024 funders ArtsNL and the City of St. John's.
Workshop: Composing Music with Found Sound
01:46:40

Workshop: Composing Music with Found Sound

This workshop will cover methods for collecting and composing with sounds found in the world. Developing pieces of music with found sound is fun, inspiring, and can lead to unique results that define the character of your work. This workshop is designed to demonstrate a wide range of tools that can be used to record and process found sounds as well as to highlight music that has been created with these techniques. BIO: Charles Harding (he/him) is an emerging sound maker living in Tiohtiá:ke/Montréal and studying electroacoustic composition at Concordia University. His current focus spans various artistic disciplines including algorithmic composition, soundscape design, creative coding, VR/AR and, more recently, interdisciplinary collaborations in weaving and sound with textile artist Emily Blair. Over the past several years he has had opportunities to showcase research, projects and collaborations involving immersive and interactive audiovisual installations at the likes of ImageFest in Colombia and Visiones Sonoras in Mexico. Through his work with technology, he always seeks to build links to nature and organic material. LINK Audacity https://www.audacityteam.org Cecilia http://ajaxsoundstudio.com/software/cecilia/ Valhalla Supermassive https://valhalladsp.com/shop/reverb/valhalla-supermassive/ Hildegard Westerkamp https://www.youtube.com/watch?v=4Jl4hQNHzfo Jeremy Dutcher https://www.youtube.com/watch?v=sPyYc8T70Fo&t=2s The Books https://www.youtube.com/watch?v=0pXoKl0wSsc&t=300s Also, here is the Paulstretched ICQ "Uh-Oh": https://soundcloud.com/nobrayn/icq-uh-oh-drone

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We respectfully acknowledge the land on which we gather as the ancestral homelands of the Beothuk, whose culture has now been erased forever. We also acknowledge the island of Ktaqmkuk (Newfoundland) as the unceded, traditional territory of the Beothuk and the Mi'kmaq. And we acknowledge Labrador as the traditional and ancestral homelands of the Innu of Nitassinan, the Inuit of Nunatsiavut, and the Inuit of NunatuKavut. We recognize all First Peoples who were here before us, those who live with us now, and the seven generations to come. As First Peoples have done since time immemorial, we strive to be responsible stewards of the land and to respect the cultures, ceremonies, and traditions of all who call it home. As we open our hearts and minds to the past, we commit ourselves to working in a spirit of truth and reconciliation to make a better future for all.

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